Diego Velazquez (1599 – 1660)

Diego Rodríguez de Silva y Velázquez (1599 – 1660) was a Spanish painter who was the leading artist in the court of King Philip IV. He was an individualistic artist of the contemporary baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656)

COLUMNS

Diego Velazquez (1599–1660). Portrait of Juan Calabazas (Calabacillas) (1637–9) – psychiatry in pictures

Dr Miriam Barrett

This portrait by Velazquez is of Juan Calabazas, also called ‘The Fool from Coria’ and nicknamed Calabacillas or ‘pumpkin-head’. He was court jester first to Prince Don Fernando and then to the naturally melancholic King Philip IV. Some claim he had autism but it is probable that he had infantile hypothyroidism, resulting in growth retardation and intellectual disability. Velazquez as court painter and royal servant shared the life of these so-called ‘dwarfs’, ‘fools’ and ‘jesters’ (or truhanes in Spanish) and was able to show them with empathy and respect in his paintings. Velazquez’s choice of subject for this portrait provides a historical perspective of how people with intellectual disability, and/or short stature, were regarded 400 years ago. They were present in large numbers at the Spanish court of Philip IV, as at other European courts. They were maintained in accordance with a charitable tradition extending back to the Middle Ages. Although this often resulted in the creation of a kind of human menagerie for the amusement of the court, some individuals came to be appreciated for their wit, arousing affection and at times achieving considerable fame and privileges. Under cover of jest they would often tell their lords and masters home truths, suppressed within the strictures of the court, and were free to parody the rigid etiquette by which the courtiers and courtesans were bound.’

The British Journal of Psychiatry (2008) 193: 95. doi: 10.1192/bjp.193.2.95
© 2008
The Royal College of Psychiatrists

Taken from: http://bjp.rcpsych.org/cgi/content/full/193/2/95?maxtoshow=&HITS=10&hits=10&RESULTFORMAT=&fulltext=velazquez&searchid=1&FIRSTINDEX=0&resourcetype=HWCIT accessed 14.12.09

 

Advertisements

2 thoughts on “Diego Velazquez (1599 – 1660)

  1. I think your site is inspiring. Art should not only be about composition in the way of light, shading, etc., but the souls that the work represents. Velazquez certainly took the effort to capture these with dignity.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s